Arthur Gonzalez









1981       M.F.A., University of California, Davis (sculpture)

1979       M.A., California State University, Sacramento (painting)

1977       B.A., California State University, Sacramento




2013       Hunter College, Thomas Hunter Projects, New York, New York “Stump”

2012       Sacramento City College, “The Art of Rejection”

2010       Mason Murer Fine Art, Atlanta, GA, “Arthur Gonzalez”*

                John Natsoulas Gallery, Davis, CA, “Read”

                Lamar Dodd School of Art Gallery, University of Georgia, Athens Art Gallery,  “@ Last”

2009       Harvey/Meadows Gallery, Aspen, CO, “Morning Suites”

2007       John Natsoulas Gallery, Davis, CA, “A Question of Balance”

2006       Galerie Pierre, Taichung, Taiwan, “Arthur Gonzalez, Personal Exhibition”

                John Natsoulas Gallery, Davis, CA, “Sour Grapes” works on rejection slips

2004       Daum Museum, Sedalia, MO, “Bay Area Ceramic Sculptors: Second Generation”

                Santa Fe Clay, Santa Fe, NM,   “Arthur Gonzalez”

2003       St. Louis Community College, St Louis, MO, “What Tool Must I use...The work of Arthur Gonzalez”

                John Natsoulas Gallery, Davis, CA, “Saging”

                Noel Gallery, Charlotte, NC, “Arthur Gonzalez”

2002       John Elder Gallery, New York, NY, “The Horizon is Sitting Beside You”

2000       Delta College Art Gallery, Stockton, CA, “The View from the Equator: Arthur Gonzalez, A Survey Exhibition, 1985-2000”

                Susan Cummins Gallery, Mill Valley, CA, “The Cadence of Stupidity”

1999       Jon Elder Gallery, New York, NY, “The Cadence of Stupidity”

                Natsoulas Gallery, Davis, CA, “The Cadence of Stupidity” work inspired by Carlo Collodi

                Portland Community College, Portland, OR, “Arthur Gonzalez”

1998       Scripps Annual Invitational, Scripps College, Claremont, CA, “Arthur Gonzalez”

1997       Susan Cummins Gallery, Mill Valley, CA, “Above and Below”

                University Art Gallery, California State University, Chico, CA, “One’s Own Spirit”

1996       Cuesta College Art Gallery, San Luis Obispo, CA, “Open Books, Open Minds”

1995       John Natsoulas Gallery, Davis, CA, “Summer Subjects”

                Phyllis Kind Gallery, New York, NY, “Arthur Gonzalez”

1994       Monique Knowlton Gallery/Kent, Kent, CT, “Arthur Gonzalez”

1992       John Natsoulas Gallery, Davis, CA, “At Heart Level” (catalog)

1991       Creative Growth Gallery, Oakland, CA, “Out of Bounds”

                Koplin Gallery, Santa Monica, CA, “Hybrids: New Sculpture”

1990       Michael Himovitz Gallery, Sacramento, CA, “Drawings from Purgatory and Limbo”

                Susan Cummins Gallery, Mill Valley, CA, “Arthur Gonzalez: Survey of Work 1982-1989”

                California College of Arts & Crafts Downtown Gallery, Oakland, CA, “Arthur Gonzalez”

1988       Natsoulas/Noveloso Gallery, Davis, CA, “Before and After Greece”

                Robert Kidd Gallery, Birmingham, MI, “Arthur Gonzalez”

                Sharpe Gallery, New York, NY, “Messengers & Travelers”

1987       Allrich Gallery, San Francisco, CA, “Two Weeks in Hawaii”

                Himovitz/ Solomon Gallery, Sacramento, CA, “Drawings and Monotypes”

1986       The Gallery, University of Vermont, Burlington, VT, “Ceramic Sculpture”

                Himovitz/Solomon Gallery, Sacramento, CA, “Highway Pi”

                Sharpe Gallery, New York, NY, “Arthur Gonzalez”

1985       Sharpe Gallery, New York, NY, “Arthur Gonzalez”

1984       University Art Gallery, University of Georgia, Athens, GA, “Arthur Gonzalez”

                Himovitz/Solomon Gallery, Sacramento, CA, “Return”

                Sharpe Gallery, New York, NY, “Arthur Gonzalez”

1983       Gallery II, Baton Rouge, LA, “Modern Art for the Serious Home”

1982       University Art Gallery, University of Georgia, Athens, GA, “Junior Artist-in-Residence”

1981       Richard Nelson Gallery, University of California, Davis, CA, “A Man & His City”

1980       The Candy Store Gallery, Folsom, CA, “The Rabbit Hunt”



2014       ArtRocks Athens Foundation, Athens, GA. "Summer Exhibition 1975-1985"

                4th Palomar College, Boehm Gallery Ceramics Biennial, "Dark Matter"

                NCECA. Tory Folliard Gallery Milwaukee, WI, "The Figure in Clay"

2013       SMAart Gallery, San Francisco, California, “Figuratively Speaking”

                Fort Wayne Museum, Fort Wayne, Indiana, “Clay Prints”

                Oliver Art Center, California College of the Arts, Oakland, “Working Title”

                Pelham Art Center, Pelham, New York, “Convergency”

                Kondos Art Gallery, Sacramento City College, “Mask”

                The Art Student League in Denver, CO., “A Revisiting Ten Years of the Visiting Artist   Series”

                Exhibits USA, Kansas City, Missouri, “Inciteful Clay”

                4thPalomar College, Boehm Gallery Ceramics Biennial, “Dark Matter”

                NCECA Conference, Tory Folliard Gallery  Milwaukee, Wisconsin, “The Figure in Clay”

2011       Northern Clay Center, “20th Anniversary”, Minneapolis, Minn.

                The Colorado University Art Museum, “The Anxiety of Influence”, Boulder

                Sonoma Community Center,  “Doceo Argilla”, Somoma, California

                Blue Line Gallery, “TB - 9”, Roseville, CA

                Arvada Center, “Arvada Center, Arvada, CO.

                Lacoste Gallery, “The Figure has Soul”, Concord, Mass.

                9th International Ceramics Competition, Special Juror’s Award, Mino, Japan    

                Sonoma Community Center, “Doceo Argilla”, Sonoma, California, (Special Juror’s Award)

                Patina Gallery,“Benefit Exhibition for Penland School of Crafts”, Santa Fe

2010       Arrowmont Main Gallery, Gatlinburg, TN, “Figurative Association: The Human Form in Clay”

                The Dairy Barn Art Center, Athens, OH, “Transcending the Figure”

2009       CCA Gallery, California College of the Arts, Oakland, CA, “Book/Text”

                San Jose Institute of Contemporary Art, San Jose, CA, “It’s Not Me, It’s You”

                Victoria Boyce Gallery, Scottsdale, AZ, “Human Narratives”

                John Natsoulas Gallery, Davis, CA, “Thirty Ceramic Sculptors”

                Northern Clay Center, Minneapolis, MN, “Contemporary Monsters”

2008       Standard Ceramic Supply Company, Carnegie, PA, “Muchachos”

                SOFA Chicago, John Natsoulas Gallery

                Blue Line Gallery, Roseville, CA, “Eccentric Imagery”

                LoBot Gallery, East Oakland, CA, “Resurrection: The Dead Space Show”

                Westchester Arts Council, White Plains, NY, “Confrontational Ceramics,” curated by Judith Schwartz

                Sacramento Public Library, Sacramento, CA, “TB-9 Revisited”

                Natsoulas Gallery, Davis, CA, “Thirty Ceramics Sculptors”

                Museo  Internazionale di Arti Applicate Oggi, Torino, Italy, “The Grand Ceramics Theatre”

                Lamar Dodd Art Center, LaGrange, GA, “LaGrange National”

                Aspen Art Museum, Aspen, CO, “ARAC@AAM: Anderson Ranch at the Aspen Art Museum”

2007       Santa Fe Clay, Santa Fe, NM, “Seven Deadly Sins”

                John Natsoulas Gallery, SOFA Art Fair, Chicago Navy Pier, Chicago, IL

                University of California Santa Cruz, CA, “Nor Cal Clay”

                University of Akron Art Gallery, Akron, OH, “All the Difference: Works in Clay”

                Turman Larison Contemporary, Helena, MT, “Northwest Figurative Ceramic Sculpture”

                John Natsoulas Gallery, Davis, CA, “30 Ceramic Sculptors” CCACA Conference

                Richmond Art Center, Richmond, CA, “Dirty Dozen”

                John Natsoulas Gallery, Louisiville Convention Center, Louisville, KY, SOFA /NCECA  

                Danny Simmons Corridor Gallery, Brooklyn, NY, “3Dc: Discover, Define and Discuss    Contemporary Craft”

2006       The UBS Art Gallery, New York, NY, “Along the Way, MTA Arts for Transit: 20 Years of Public Art”

                Oregon College of Art & Craft, Hoffman Gallery in the Centrum Building, Portland, OR, “Cruder”

                The Parkland Art Gallery, Champaign, IL, “Biennial Ceramics Invitational 2006”

                Santa Fe Clay, Santa Fe, NM, “Tell Me a Story”

                Oliver Art Center, Oakland, CA, “On Making”

                Montgomery Museum of Fine Arts, Montgomery, AL, “Poetic Expressions of Mortality”

                Mobile Museum of Art, Mobile, AL, “Poetic Expressions of Mortality, P.Price Collection”

                Xen Gallery, Saint Louis, MO, “Likeness/The Human Form in Clay”  

2005       Santa Fe Clay, Santa Fe, NM, “Cups, Cups, Cups”

                Cantor Arts Center, Stanford University, Palo Alto, CA, “Fired At Davis: Ross Turk Collection”

                Ice Box Project Space, Philadelphia, PA, “Operation Rapid American Withdrawal 1970-2005”

                The Art Foundry Gallery, Sacramento, CA, “From Tiles to Totems”

                Santa Fe Clay, Santa Fe, NM, “American Masters 2000-2005”

                Lacoste Gallery, Concord, MA, “Vanitas: Transient Treasures”

                Creative Alliance, Baltimore, MD, “Pygmalion’s Gaze Reimagined: The Figure in Contemporary Ceramics”

2004       The Union Gallery, University of California, Davis, CA, “The Eve Aesthetic”

                Santa Fe Clay, Santa Fe, NM, “Election 2004”

                Mason Muller Fine Arts, Atlanta, GA, “The Fall Show”

                Fuller Museum of Art, Lincoln, MA, “The Perfect Collection: A Shared Vision for Contemporary Craft”

                Mint Museum, Charlotte, NC, “The Nature of Craft and the Penland Experience”

2003       Crocker Art Museum, Sacramento, CA, “The Plot Hill Collection of Contemporary Art”

                Santa Fe Clay Gallery, Santa Fe, NM, “Hundreds of Cups”

                Museum of Arts & Sciences, Macon, GA, “Trans-mission”

2002       University of Northern Iowa, UNI Gallery of Art, Cedar Falls, IA, “Figured Ceramics”

                University of Southern Maine Art Gallery, Gorham, ME, “Pushing Clay”

                Penland School of Craft, Penland, NC, “Relevance of Making”

                Chicago Navy Pier, Chicago, IL, “Virginia Groot Award Recipients”

             Woodbury Gallery at Utah Valley State College, Orem, UT, “The 17th Annual 30 Ceramic”

                Craft Alliance, Saint Louis, MO, “The Body in Clay,” curated by Joe Bova

                Dirt Gallery, Kansas City, MO, “Crude”

                Byron Cohen Gallery, Kansas City, MO, “Fired Up”

2001       Yoju Livingware Gallery, Kyunggido, Korea, “World Ceramic Exposition 2001 Korea”

                Southwest Texas State University, San Marcos, TX, “NCECA WOCEK Exhibition”

                Santa Fe Clay, Santa Fe, NM, “Birds, Beasts and Little Fishes”

                Encina Art Gallery, Sacramento, CA, “Private Eye”

                DeCordova Museum and Sculpture Park, Lincoln, MA, “Terrors and Wonders: Monsters in ContemporaryArt”

                Benefit Auction for the Mendocino Art Center, Davis, CA, “The Gegnome Project”

                John Natsoulas Gallery, Davis, CA, “The Holiday Group Show”

                Flint Institute of Arts, Flint, MI, “Confrontational Clay: the Artist as Social Critic”

                Springfield Museum of Art, Springfield, OH, “Confrontational Clay: the Artist as Social 4. Critic”

                The Middlebury College Museum of Art, Middlebury, VT, “Confrontational Clay: the Artist as Social Critic”

2000       Susan Cummins Gallery, Mill Valley, CA, “Perching of the Soul”        

                Bedford Gallery, Walnut Creek, CA, “From the Fire: Figures in Ceramic”

                The Mint Museum of Craft and Design, Charlotte, NC, “The Chasanoff Collection”

                The Arkansas Art Center, Little Rock, AR, “Confrontational Clay: the Artist as Social Critic”

                Philharmonic Center or the Arts, Naples, FL, “Confrontational Clay: the Artist as Social Critic”

                University of Central Florida, Orlando, FL, “Confrontational Clay: the Artist as Social Critic”

                The Arvada Center for the Arts and Humanities, Arvada, CO, “A Glimpse of the Invisible” NCECA 2000

                Encina Art Gallery, Sacramento, CA, “Heart of the Future: Part 3”

                Nicholas Davies Gallery, New York, NY, “Ruling Passions”

1999       b. sakata garo, Sacramento, CA, “Group Show”

                Riley Hawk Gallery, Columbus, OH, “Looking in the Mirror: Aspects of Figurative Ceramics”

1998       Oliver Art Center, Oakland, CA, “Drop/Add”

                Richmond Art Center, Richmond, CA, “More Than Clay” the Toki Collection of Ceramics

                John Natsoulas Gallery, Davis, CA, “All Creatures Great & Small” (also 1986-1997)

                John Natsoulas Gallery, Davis, CA, “Thirty Ceramic Sculptors” (also 1986-1997)

                SMUD building Lobby Gallery, Sacramento, CA, “Four on the Wall”

                The Lef Foundation, St. Helena, CA, "Sculptural Perspectives for the New Millennium”

                Richmond Art Center, Richmond, CA, “More Than Clay: The Toki Collection of Ceramics”

                Pence Gallery, Davis, CA,  “More Than Clay: The Toki Collection of Ceramics”

1997       Crocker Art Museum, Sacramento, CA, “California State Univ. Sacto.  50th Anniversary Exhibition”

                American River College Art Gallery, Sacramento, CA, “Many People/ Many Media”

                Oliver Art Center, Oakland, CA, “Ceramic Still Life: The Common Object” (catalog)

                Barrick Museum, University of Nevada, Las Vegas, NV, “NCECA Clay National 1997”

                Bally’s Las Vegas, NV, NCECCA, “Salt & Pepper”

                Encina Art Gallery, Sacramento, CA, “Class Reunion: CSUS/50”

                Udinatti Gallery, Scottsdale, AZ

                SOFA Art Fair, Miami, FL, Susan Cummins Booth

                Nevada Institute of Contemporary Art, Las Vegas, NV, “New Movement in Contemporary Figurative Sculpture”       

                Art Department Gallery, Santa Clara University, CA, “Ceramics Invitational”

                Barton County Community College Shafer Art Gallery, Great Bend, KS, “From Plastic   Form to Printer’s Plate”

1996       McDonough Museum of Art, Youngstown State University, Youngstown, OH, “From Plastic Form to Printer’s Plate”

                Irving Arts Center, Irving, TX, “From Plastic Form to Printer’s Plate”

                Western Washington University Western Gallery, Bellingham, WA, “From Plastic Form to Printer’s Plate”

                Canton Museum of Art, Canton, OH, “From Plastic Form to Printer’s Plate”

                Udinotti Gallery, Scottsdale, AZ

                K & E Gallery, New York, NY, “Alternation”

                John Natsoulas Gallery, Davis, CA, “The Robert Arneson Tribute Exhibition”

                The Sun Gallery, Hayward, CA, “Ceramic Figurative Art of Northern California”

                Fort Mason Center, San Francisco, CA, “Exposition of American Art” (also 1992-1995)

                Santa Monica Civic Auditorium, Los Angeles, CA, “L.A. Modernism Exposition”

                Maple Hill Gallery, West Stockbridge, MA, “The Second Annual Berkshire Clay National”

                Phantom Galleries, Sacramento, CA, “White Gallery Reunion Show”

                University Art Gallery, Sonoma State University, Rohnert Park, CA, “CLAY: Recent Ceramic Sculpture”

                The Colorado College Coburn Gallery, Colorado Springs, CO, “American Figurative Clay”

1995       The Lamont Gallery, Phillips Exeter Academy, Exeter, NH, “From Plastic Form to Printer’s Plate”

                SOFA Exposition, Navy Pier, Chicago, IL

                IV Mostra Mercato, Faenza, Italy, “La Ceramica Del ‘900”

                Encina Art Gallery, Sacramento, CA, “Chicano/Latino Art”

                John Natsoulas Gallery, Davis, CA, “The Figure”     

                New Jersey Center for the Arts, Summit, NJ, “Myth and Reality”

1994       Los Angeles International Art Fair, Los Angeles, CA, “Art L.A. Exposition” (also 1990-1993)      

                Kingsborough Community College, Brooklyn, NY, “Tribute to Robert Arneson: Changing the Face of American Ceramics”           

                Contemporary Craft Museum, San Francisco, CA, “Tastes and Trends”

                Honolulu Academy of Arts, Honolulu, HI, “2nd Annual Pacific Rim Sculpture Conference Exhibit”

                The Center of Northern Thai Handcrafts, Chaiing Mai, Thailand, “Tell Me a Story”

                Calcutta, New Delhi, and Bombay, India, “The Triennial: Tell Me a Story”

                Mills Building, San Francisco, CA, (Through the Contemporary Craft Museum) “Local Media; Within and Beyond Traditions”

                Clark Gallery, Lincoln, MA, “CLAY: Figure & Function”

                Monique Knowlton Gallery, Kent, CT, “The Domestic Landscape”

                Newcomb Gallery, Tulane University, New Orleans, LA, “Presence & Scale”

1993       Susan Cummins Gallery, Mill Valley, CA, “Small Scale Sculpture”

                Oliver Art Center, California College of Arts & Crafts, Oakland, CA, “Nine Decades of California Craft”

                Olone College, Fremont, CA, “Go Figure”

                Honolulu Academy of Arts, The Academy Art Center at Linekona, Honolulu, HI, “First Annual Pacific Rim

                Ceramic Sculpture”

                William Traver Gallery, Seattle, WA, “Clay 1993-4: A National Survey”

                Artists Contemporary Gallery, Sacramento, CA, “The Next Generation”

                Phyllis Kind Gallery, New York, NY, “M’aidez/Mayday”

                California Crafts Museum, San Francisco, CA,  “West Coast Clay”

                I.D.E.A. Gallery, Sacramento, CA, “Bout Bicycles”   

                The Taft Museum, Cincinnati, OH, “Tell Me a Story”

                Walter A. Buehler Alumni and Visitor Center, UC Davis, CA, “Art Studio Alumni Exhibition”

                The Sterilization Plant, San Pablo, CA, “New Year’s Group Exhibition”

                University Art Gallery, California State University, Hayward, CA, “Large Scale Figurative Ceramics”

1992       Oliver Art Center, California College of Arts & Crafts, Oakland, CA, “From Plastic Form to Printer’s Plate:
                16 Contemporary Sculptor/ Printmakers”

                San Diego State University, San Diego, CA, “Social Figuration”

                Robert Kidd Gallery, Birmingham, MI, “Sculpture/Glass, Sculpture/Clay”

                The Society for Contemporary Crafts, Pittsburgh, PA, “Figurative Clay” (catalog)

                California College of Arts & Crafts Gallery, Oakland, CA, “New Faculty”

                Clark Gallery, Lincoln, MA, “The Sculptural Object”

                John Natsoulas Gallery, Davis, CA, “Holy Night”

1991       The American Craft Museum, New York, NY, “The Collector’s Eye,” a benefit auction     (catalog)   

                Crocker Art Museum, Sacramento, CA, “Crocker/Kingsley-Centennial Exhibition” (catalog)

                Allrich Gallery, San Francisco, CA, “Twenty-Five Years Celebration”

                NCECA Conference, Tempe, AZ, “Minor Art by Major Artists”

                Grand Canyon University, Phoenix, AZ, “The Human Form as Mythical Vessel”

                The University of Hawaii at Manoa Art Gallery, Honolulu, HI, “The Fourth International Shoebox Sculpture Exhibition” (catalog)

                Muckenthaler Cultural Center, Fullerton, CA, “Cultural Perspectives of the Nineties”   (catalog)

                The Convention Center, Los Angeles, CA, “Art of California Magazine Discovery Award Exhibit”

1990       Allrich Gallery, San Francisco, CA, “The Figure,” an exhibition of collected work

                Koplin Gallery, The Convention Center, Los Angeles, CA, “The L.A. Art Expo”

                The Fortress, Savona, Italy, “National Ceramic Bienalle, California Sculptors”

                The National Museum of Ceramic Art, Baltimore, MD, “American Ceramic Sculpture” 

                Susan Cummins Gallery, Navy Pier, Chicago, IL, “Chicago Exposition”

1989       Dinnerware, Tucson, AZ, “The Human Form as Mythical Vessel: Figures in Clay”

                Everson Museum of Art, Syracuse, NY, “The 28th Ceramic National”  

                Walter/McBean Gallery, San Francisco Art Institute, San Francisco, CA, “Fool’s Fantasy”

                John Michael Kohler Arts Center, Sheboygan, WI, “Surrealist Ceramics”

                Allrich Gallery, San Francisco, CA, “Group Show”

                Main Art Gallery, Visual Arts Center, California State University Fullerton, CA “Contemporary Ceramics: The Artists of TB 9”

                Lamar Dodd Art Center, La Grange, GA, “La Grange National XIV”

                Palo Alto Cultural Center, Palo Alto, CA, “Ceramic Traditions: The Figure”

                Garth Clark Gallery, New York, NY, and Los Angeles, CA, “The Portrait Pot”

                Metropolitan Life Gallery, New York, NY, “Ancient Explorations: 5 Contemporary Sculptors”

                Natsoulas/Noveloso Gallery, Davis, CA, “Artists for Amnesty”

                Art Gallery of Western Australia, Perth, Australia, “First Perth International Crafts Triennial”

                Natsoulas/Noveloso Gallery, Davis, CA, “Drawing for Funk’s Sake!”

1988       Allrich Gallery, San Francisco, CA, “Group Show”

                Euphrat Gallery, De Anza College, Cupertino, CA, “Clay Works: On The Wall/Off  The Wall”

                Artists Contemporary Gallery, Sacramento, CA, “Artists in Crisis Benefit Exhibition”

                Greenville County Museum of Art, Greenville, SC, “Imprimatur”

1987       Philbrook Art Center, Tulsa, OK, “The Eloquent Object”

                Works Gallery, Philadelphia, PA, “Invitational Exhibition: Ceramics 1987”

                J.B. Speed Art Museum, Louisville, KY, “What’s New: American Ceramics Since 1900”

                San Francisco Arts Commission Gallery, San Francisco, CA, “Figurative Ceramic  Sculpture: Mother Earth”

                Sacred Heart Schools, Menlo Park, CA, “Los Animales del Sol”

                Esther Saks Gallery, Chicago, IL, “Interior Images”

                Japan/American Exchange Exhibition, City Gallery, Kobe, Japan, “Artbridge”

                Jay Gallery, New York, NY

                Sharpe Gallery, New York, NY, “Group Show”

                Haggerty Museum of Art, Marquette University, Milwaukee, WI “Romanticism and Cynicism in Contemp. Art”

                Robert Kidd Gallery, Birmingham, MI, “Major Concepts: Clay”

1985       Hal Bromm, New York, NY, “New Sculpture”

                The Rotunda Gallery, Brooklyn, NY, “Earth Transformed by Fire: Ceramic Sculpture”

                Palo Alto Cultural Center, Palo Alto, CA, “Imagination”

                New Paltz Gallery, SUNY, New Paltz, NY, “In the Eye of the Beholder: A Portrait of Our Time”

                Newport Harbor Art Museum, Newport Beach, CA, “Contemp. American Ceramics: 20 Artists”

                Allen Frumkin Gallery, New York, NY, “Outline/Cutout/Silhouette”

                Palo Alto Cultural Center, Palo Alto, CA, “Satirical Art Since 1970”

                Memorial Union Art Gallery, Davis, CA, “Multiple Viewpoints: Seven Contemporary American Sculptors”

                Puck Building, New York, NY, “I.C.I. Tenth Anniversary Exhibition Himovitz/Solomon Gallery, Sacramento, CA, “Baker’s Dozen”

                University Museum, Univ. of New Mexico, Albuquerque, NM, “Recent Ceramic Sculpture”

1984       Artist’s Space, New York, NY, “New Galleries from the Lower East Side”

                Clark Gallery, Lincoln, MA, “Daniel Jacobs Collection, Imagined Icons”            

                DeCordova Museum, Lincoln, MA, “A Passionate Vision: The Daniel Jacobs Collection”

                P.S. 1, Long Island City, NY, “The New Portrait”

                Allen Frumkin Gallery, New York, NY, “Notes From the Underground”

                Santa Barbara Gallery, New York, NY, UCSB, Santa Barbara, CA, “Neo-York: Report on a Phenomenon”

1983       Sharpe Gallery, New York, NY, “Self Image”

                Sharpe Gallery, New York, NY, “Sex!”

1982       Hecsher Museum, Long Island, NY, “Selections from the Daniel Jacobs Collection”





2014     Monthy Ceramic Art, Korea, 48th NCECA Conference-1, World Ceramic Art Section. May  2014 48-53

             Posit, a journal of literature and art.  Arthur Gonzalez Posit 2

             Ceramic Arts Daily, sculpture/coil-building-expressive-ceramic-sculpture/
             “Coil Building Expressive Ceramic  Sculpture By Edith Garcia July 21, 2014

             Crystal Morey, Blog. NCECA 2014

              Muddy Opal The Alchemy of Dirty Rocks. hArthur Gonzalez at CCACA 2014:  “The Lint of Power.”
2013      Contemporary Ceramics/13 D’A-La prima rivista italiana di artigianato e arti decorative a facebook  magazine      
2012       Michael Upchurch, Eye-popping ceramic art at BAM, the Henry and beyond”, The Seattle Times: The Arts, art review March 4th 2012 2011      
" getting-ones-handsdirty" gonzalez-art-getting-      ssssssssssones-handsdirty Ceramics Now, Arthur Gonzalez, featured artist.
2010       Deb Van Laak, Ceramics Art and Perception, “Arthur Gonzalez’ Sculptural Mastery and  Mystery, A Question of Balance “issue #78,  pp.   ssssssss68-71.

2009       Ben Marks, KQED Arts, “It’s Not Us, It’s You"

                Kristi Beardshear, Art Slant,   "",        sssssssss“Rejection Nation”

                Michael S. Gant, Metro Silicon Valley Metro News, April 15-21, 2009, p. 45, “Take a Hike”

                Karen D’Souza, Mercury News, “Keep our Chin Up for ‘Rejection’ Show at San Jose’s    ICA” 4-3-09

                D. Wood, Ceramics  Monthly,  February, “Following Thesius: The Sculpture of Arthur Gonzalez”

2008       Benjamin Genocchio, New York Times WEB Nov. 30, “Ideas Abound in Clay: That Go

                Beyond Bowls”

                Scott Shields, Ceramics Monthly,  November, “California Funk,”

                DeWitt Cheng, East Bay Express,  Arts & Culture, “Resurrection: Dead Paces”

                Victoria Dalkey, Sacramento Bee, “Make A Beeline to Roseville’s Blue Line,”

                HYPERLINK ""

2007       Richard Wittaker, Works & Conversations, “John Toki and Some Reflections on Cultural Service”                               

                Staff Writer, Ceramics Monthly, “CCA Graduate School” 

                Lloyd S. Rubin, Art Knowledge News, “Danny Simmons Corridor Gallery Shows Cutting- Edge Craft,”


2006       Megan Digregorio, Staff Writer, The Collegian, Tulsa OK, “Visiting artist Arthur Gonzalez holds pottery workshop”

                Staff Writer, American Style Magazine, April, “Making Hawaii Even Better for the Arts”

                Laura O’Donnell, Ceramics Technical, Issue 23, “The Figure’s Representation in Clay”

                Laura O’Donnell, Prospectus on the Web, “Art Gallery features ceramic works focusing on  human


                Staff Writer, The News-Gazette, Entertainment, February 19

2005       Staff Writer, E-News From Tile Heritage, “BajaPalapa: A Haven in the Desert”

                Jo Lauria, Ceramics Art and Perception, Issue #59, pp. 10-17, “Second Generation Bay Area Artists”

2004       Glenn R. Brown, Daum Museum of Contemporary Art, May 2004, pp. 54-55

                Staff Reporter, Ceramics Monthly, January, vol. 52, pp, 37-39, “Trans-Mission”

2003       Victoria Dalkey, The Sacramento Bee, May 2, pp 42-43, “Many Faces of Eve” 

                Andy Nasisse, Kerameiki Techni, August 2003, Issue 44, pp. 65-70, “Trans-Mission”

                Joyce Lovelace, American Craft,  Aug/Sept ‘03, pp. 28-30 & 80, “The Oakland Museum of  California”

2002      John M. Wilson, Ceramic Art and Perception, Issue 49, pp. 57-59, “A Glimpse of Invisible”

2001       Joy S. Kasson, American Craft, Aug/Sept, pp. 58-63, “The Allen Chasanoff Collection”

2000       Theresa Everline, Orlando Weekly, “Many ways to figure a problem”

                Staff Writer, Ceramics Monthly, November, p. 14, “Up Front”

                Staff Writer, American Craft, June/July, p. 75, “Galleries”

                Janet DeBoos, Ceramics Art and Perception, Issue 40, “Looking in the Mirror: Aspects of Figurative Ceramics”

                Matthew Kangus, Sculpture, April, “Arthur Gonzalez”

1999       Staff Writer, Ceramics Monthly, June/July/Aug, “Looking in the Mirror: Aspects of      Figurative Ceramics”

                Victoria Dalkey, Sacbee New Home  Sacbeat  “Gallery takes a bold look at local art scene”

1998       Kirsten Coughlin,The Crafts Report, June, Craft Galleries, John Natsoulas Gallery”

                Victoria Dalkey, The Sacramento Bee, April 19, “Toki Collection Tops the Field of Clay in             Davis”

1997       Chiori Santiago, American Craft, pp 50-53, “Still Clay”

                Staff Writer, San Francisco Examiner, Sept. 3, Habitat, “Still Objects”

                Staff Writer, Hayward Review, Sept. 10, “Still Life Show”

                Robert Taylor, Contra Costa Times, Sept. 7, “The ‘A’ List”

                Staff Writer, Oakland Tribune, Oct. 17, “Oliver Art Center”

                Steven Jenkins, Artweek, September, Previews, “Ceramic Still Life: The Common Object”

1996       Ann Friedman, The Bellingham Herald

                Staff Writer, American Style, “Of Clay and Collecting”

                Staff Writer, Telegram-Tribune, Focus, “Artist Throws the Book at Cuesta”

                Meredith Tromble, Artweek, May, Volume 27, #5, “Issues on Public Art”  (photo of “A      

                Peaceable Kingdom”)

                Staff Writer, ARTimes,“Exhibition Examine Relationship of Sculpture and Graphics” Staff Writer, Allen’s P.C.B., Atascadero, CA,    sssssssss“Cuesta Art Gallery Season opens with Exhibit by Internationally-known Artist”   

                Staff Writer, Keramik, Germany, “New Ceramics in the Galleries of the World”

                Staff Writer, Ceramica, Spain, Dec-Jan 96, page 12, “Cuba” (photo of “Trio”)

                Staff Writer, News Department, Artweek, June, Vol. 27, No. 6, p. 2, “The Arneson Chair”

                Staff Writer, The New York Times, Editorials/Letters, Jan.28, “Underground Gallery


1995       Rajiv Chandren, The Pioneer, “Tell Me a Story”

                Staff Writer, Ceramic Arts, December, p. 85, “John Natsoulas: Funk Art”

                Bruce Nixon, Artweek, vol. 26, no. 5, p. 18, “West Coast Clay: ‘Arthur Gonzalez’”

1994       Antonio Vivas, Ceramica, page 39, (photo of “Stump Jumper” 1992)

                Kate Lila Wheeler, Inquiring Mind, page 21, “Meat Puppets” (photo of “At Heart Level”)               

                Staff Writer, The Sacramento Bee, page 42,”Former State Fair Artist Returns as Judge”

                Vivian Raynor, The New York Times, Sunday “Arthur Gonzalez”

                Roshan Shahani, The Times of India, June 9, “Enclosing a Narrative Code”

                Bernadette DaCunha, Afternoon Dispatch & Courier, Bombay, India, June 6, “Tell Me a Story”

                Niyatee Shinde, Indian Express, June 5, “Photo Sensitive Narrations”

                Christina Tree, The Boston Sunday Globe, May 22, p. C9, “New England’s Art Secret”

                Staff Writer, The Independent, May 25, Bombay, India, “Exhibition of Sculptures Open”

                Arkay, Afternoon Dispatch & Courier, May 27, p. 12, “American Artist in ‘Tell Me a      Story’”

                Vivian Raynor, The New York Times, May 8, p. 8, “In Kent, A Grand Opening For A Dealer in Soho”

                Gaurang Desai, Mid-day, Section Two, May 25, “Talk Show”

                Staff Writer, The Sunday Free Press Journal, Leisure, 29 May, p. 8, “Raconteurs’ Gifts”

                Staff Writer, Span, April, pp. 22-25, “Storyteller’s Art”

                Staff Writer, Diplomatic Times, New Delhi, India, “Tell Me a Story”

1993       Staff Writer, Street News, May, Issue II, pp. 10-11, “Take the Art Train!”

                Salli McQuaid, Artist Writer, pp. 10-11, “Symposium Covers Nine Decades of Craft” Lisa Marquart, The Daily Aztec, Arts, Oct. 29, p.9 sssssssss“A Ball O’Halloween Goodies”

                Laura Weir Hill and Scott Hill, Visions, p. 39, “Arthur Gonzalez at John Natsoulas Gallery”

                Allen Gorden, Artweek, Aug. 5, “In the Tradition: The Next Generation at Artists Contemporary Gallery”

                Gretchin Atkins, American Ceramics, “A Pilgrim’s Progress on the Treadmill of 20th Century”Life, issue #10/4, pp. 44-49,
               “The Lessons of Arthur Gonzalez’s Sculpture”

                Henry Tam Jr., New York Newsday, July 27, “High-Minded Culture for Riders Underground”

                Terri Cohn, Artweek, “Vessels of Change, West Coast Clay: The New Breed at the California Craft Museum”

                Marne Burke, The San Francisco Examiner, May 30, pp. 26-27, “Ceramic Treasures” (image)

                Bruce Nixon, Artweek, April 8, p. 21, “Contemporary Figurative Sculpture: Arthur Gonzalez”

                Jerry Stein, The Post, Feb. 4, pp. 1&4B, “Art Tells A Story At Taft”

                Staff Writer, The Greater Cincinnati Convention Newspaper, The Arts, Winter/ Spring. p.9,“Taft Museum Exhibit Highlights ‘Narrative  sssssssssArt’”,            

                Staff Writer, Art Academy NEWS, February/March, p. 3, “Contemporary Narrative Art on View at Museum Feb. 4-April 25, 1993”

                Staff Writer, The Downtowner, Stepping Out, Feb. 2, p. 33, “The Taft Museum’s ‘Tell Me a Story’ exhibit runs from Feb. 4 - April25”           

                Owen Findsen, The Cincinnati Enquirer, Jan. 31, Section G, “Taft Exhibit Tells the World Stories of American Lifestyles”

                Carolyn Svetz, SusanCousins, SeanM.Smith, & Darlym J.Campbell, Ohio Guide, 1st-7th, p. 68, Feb

                Laura Weir Hill and Scott Hill, The Davis Enterprise Weekend, Cover Story, Thursday, April 1, pp. 4 & 6,
                “Ceramics of the First Order on Display in Davis”    

                Staff Writer, The Staff Reporter Chronicle, March 31, p. 6, “Ceramic Sculpture’s Local                
               Mark, Bay Area Artists Excel in the Medium”

1992       Staff Writer, CCAC News, April 29, Vol. 2, No. 2, p. 2, “Pro Bono Work: Making a Contribution”

                Robert Pincus, Night & Day, April 16, pp. 26-27, “Imagery is Rich, Theme is Poor”

1991       James Scarborough, Artweek, December 12, Vol. 22, No. 42, pp. 9-10, “Funk is Here To                
               Stay: Sculptural Perspectives for the Nineties: Muckenthaler Cultural Center

                Carolyn Crane, Ceramics Monthly, p. 12, “Up Front,” 2nd Annual California Conference 1991      
                Jamie Brunson, Visions, “Spotlight,” Summer Quarterly, “Arthur Gonzalez”               

                John Stephenson, M.P.A. Newsletter, March, “Values in Clay”

                Lynne Ames, The New York Times,  August 11, “Critics on the Run: Commuters Appraise a New Art Project”

1990       Robert Barnard and Robert Brady, Ceramics Monthly, December, pp. 40-47, “1990 NEA Grant”

                Robert A. Ellison Jr., American Craft, Oct/Nov pp. 40-49, “The 28th Ceramic National”

                Carol Schrumpf, Marin Independent Journal, October 23, “Intriguing Ceramics Pose Mysteries, Questions”

                Michael David Thomas, Arizona Daily Wildcat, October, “’Human Form’ Show Takes Critical Look at Mankind”              

                Staff Writer, Ceramics Monthly, Nov., Vol 38. #9, pp. 36, 38, “Syracuse: 28th Ceramic National”

                Martina Schoder, Neue Keramik, 4/9 July/Aug. pp. 249-250, “Neues Aus USA”

                Jamie Brunson, Artweek, March 1990, Vol. 21, #8, pp. 10-11, “Fresh Starts”

                Anne Brennen, Broadsheet, Adelaide, South Australia, March, Vol. 19, No. 1, “American Figurative Ceramics 1989”               

                Holly Johnson, The Sacramento Union, April 14, pp. 25, 26, “Metaphysical Art From These Hunks of Clay”   

                Brian Hamlin, Reporter, Feb., p. 4A, “Sculpting Their World”

                Bruce Peterson, The Daily Republic, February 5, “Bold Sculpture at SCC”

                John Shepard, The Daily News, May 28, “Ancient Explorations, Far From The Beaten Track” 

1988       Elizabeth Hess, The Village Voice, June 7, “Just Desserts?”

1987       Staff Writer, Ceramics Monthly, February, pp. 41-49, “Art, Money, and the N.E.A”

                Vicki Mailes, The Hornet, February, “Alumni Art Exhibit”

                Ken Magri, On the Wing, February, “Clay Sculpture from the Source”

                Maria F. Porges, Artweek, February, “Medium of the Unconscious”

                Victoria Dalkey, The Sacramento Bee, March, “Feats of Clay”

                Molly Johnson, Union, March 10, “Earthly Delights”

                Michael McTwigan, American Ceramics, Vol. 5, #3, pp. 35-43, “A Portrait of Our Time”

                Jamie Brunson, Artweek, May, “Personal Narratives Recorded”

                Glen Nelfand, San Francisco Sentinel, June 5, 1986, “Four Figurative Sculptors-New                     
                Imagery from Mother Earth”  Staff Writer, New Art Examiner, May, p. 2A, (photo)

                Staff Writer, The Sacramento Bee, February 6, “Drawing Conclusions”

                Michael Cone, Flash Art, May-June, p. 55, “Arthur Gonzalez”

                Tedd Prudhomme, Say, October, p.15, “Arthur Gonzalez: Iconographer of Clay”(Interview)           
                Timothy Cohes, Arts, November, pp. 41-43, “Hudson River Editions-Pelavin Editions: A  Report from the Other World of Printmaking”

                Alex Brownstein, The Vermont Cynic, No. 6, p. 14, “Gonzalez’s Surrealistic Presentation at L/L”

1985       Mikhail Horowitz, Kingston Freeman, “Life” section, March 31

                William Zimmer, American Ceramics, Vol. 4, “Arthur Gonzalez: Of Melodramas,

                Moviestars, and Modern Times”

                Camelia Padilla, New Mexico Daily Lobo, 11/12, “Exhibit Proves Ceramics More Than Just Pots”

1984       Michael McTwigan, American Ceramics, Vol. 13, “A Passionate Vision: the Daniel Jacobs Collection”

                Carlo McCormick, New York Beat, April 14, “Art Takes II”

1983       Staff Reporter, NCECA Journal, Vol. 4, “Arthur Gonzalez”

                Ellen Handy, Arts, November, p. 5, “Emergence: New From the Lower East Side”




2011       Special Judges Award, 200,000 yen.  9th International Ceramics Competition, Mino, Japan

2007       Pilchuck Glass Studio, Seattle, WA, Artist-in-Residence

2006       Tainan National University of the Arts, Taiwan, Artist-in-Residence

2002       University of Akron, Myers School of Art, Akron, OH, Artist-in-Residence

2001       Warhol Foundation/Penland School of Crafts, Penland, NC, Artist-in-Residence Award

                Wallace Alexander Gerbode Visual Arts Award

1997,92 Virginia Groot Foundation Award  (1st and 2nd place)

1994       California Arts Council Fellowship

                National Foundation for Advancement in the Arts Residency in Southern Florida (declined)

1991       Art of California Magazine Discovery Award (Gold & Bronze Medal)

1990,86,84,82  National Endowment of the Arts Individual Artist Fellowship

1986       Skowhegan School of Art, Skowhegan, ME, Artist-in-Residence, (declined)

1985       Virginia Center for the Arts, Sweet Brier, VA,  Artist-in-Residence (declined)

1981       University of Georgia, Athens, GA, Ford Foundation Junior Artist-in-Residence



2014       500 Figures in Clay Volume 2, Lark Books

2013      Glaze: the ultimate collection of ceramic glazes,  and how they were made by Brian Taylor  and Kate Doody (GCWB), Quarto Publishing

2012       The Workshop Guide to Ceramics by Duncan Hoosen and Anthony Quinn, Quarto Publishing

                The Best of 500 Ceramics: Celebrating a Decade in Clay, Lark Books

2011       Craft and Art in Clay 5th Edition, Laurence King Publishing in London.

                Ceramics and the Human Figure, by Edith Garcia, A and C Black Publishers Ltd.

2010       MAKERS: A History of American Studio Craft, by Janet Koplos and Bruce Metcalf. UNC Press

                Other People’s Rejection Letters, by Bill Shapiro. Random House

2009       Handbuilding : Ceramics for Beginners. Shay Amber.  Lark Books, Asheville, NC

                Dry Glazes.  Jeremy Jernegan,* University of PA Press, Philadelphia, PA

                500 Ceramic Sculptures.  Glen Brown. Lark Books, Asheville, NC

2008       Confrontational Ceramics. Judith Schwartz, NYU, New York, NY

                Ceramics for Beginners : Hand Building. Lark Books, Asheville, NC

2007       The Question of Balance : Arthur Gonzalez.  John Natsoulas Press, Davis, CA

2006       The Art of Rejection by Arthur Gonzalez.  John Natsoulas Press, Davis, CA

                Ceramic Today: Encyclopedia of Ceramic Artists. Steven Goldate, Editor, Australia

                Along The Way: MTA Arts for Transit.  Sandra Bloodworth and William Ayres. The Monicelli Press, New York, NY

                Works of Ceramic Artists from Around the World.  Shanghai Fine Arts Publishers, Shanghai, China

                Contemporary Ceramics, p. 136. Susan Peterson. Watson Guptill Publications, New York,  NY

                Poetic Expressions of Mortality. Mobile Museum of Art, Mobile, AL

                A Potter’s Handbook, 6th edition, plate 47. Glenn C. Nelson and Richard Burkett,

                Wadsworth Publishing, Belmont, CA

2005       The Figure in Clay. Suzanne Tourtillott, Editor. Lark Books, Asheville, NC

2004       The Eve Aesthetic.  Nancy Servis. Memorial Union Gallery, Univ. of California, Davis, CA

                The Nature of Craft and the Penland Experience.  Lark Books, Asheville, NC

                Four California Sculptors, The  Second Generation. The Daum Museum, Sedalia, MO

                The Craft and Art of  Clay, 4th edition, p. 43. Susan Peterson. Laurence King Pub, London,

 2003      Understanding Art, 4th edition, p. 210. Lois Fitchner-Rathus

2002      Ceramics, A Potter’s Handbook, 6th edition, plate 47.  Glen C. Nelson and Richard Burkett

                The Penland Book of Ceramics.  Deborah Morgenthal and Suzanne Tourtillott, editors.

                Lark Books, Sterling Publishing Co., New York, NY

2000       Confrontational Clay: The Artist as  Social Critic. Judith S. Schwartz. Exhibits USA, Kansas City, MO

1999       The  Cadence of  Stupidity: The Works of Arthur Gonzalez.  Diane Chin Lui.  John Natsoulas Press, Davis, CA

1998       The California Art Review. Les Krantz American Reference, Chicago, IL

                Who’s Who in American Art. Amy Furman, Senior Editor.  R.R. Bowker, New Providence,  NJ

1997       Make it in Clay:  A Beginner’s Guide to Ceramics. Charlotte Speight and John Toke, Mayfield Publishing Co.

1997       American Ceramic Artists Today. Poslin G. Zhou. The People’s Fine Art Publishing House,  Beijing, China

1996       Who’s Who Among Hispanic Americans, 3rd edition. Gale Research Inc., Farmington Hills, MI

1994       Hands in Clay. Charlotte Spreight and John Toke.  Mayfield Publishing Co., Mountain View, CA

1993       Contemporary Ceramics: A Step Toward the Future.  Hongik Univ. Ceramic Research  Institute, Seoul, South Korea

1992       Arthur Gonzalez: At Heart Level.  Katherine Chapin. John Natsoulas Press, Davis, CA

1990       The 28th Ceramic National: Clay, Color, Content.  1990 Everson Museum of Art, Syracuse, NY

                Encyclopedia of Ceramics. Teturo Murobushi. Japan Art Publishing Co., Tokyo, Japan   

                American Artists, An Illustrated Survey of Leading Contemporaries.  Les Krantz American  Reference, Chicago, IL

1989       American Ceramics from the collection of the Everson Museum, Syracuse, NY

1988       Contemporary American Craft Art: A Collector’s Guide.  Barbara Mayer. Gibbs M. Smith Inc., Layton, UT

                Who’s Who in the World.  Marquis Who’s Who, New Providence, NJ

                The History of American Ceramics: from Pipkins and Bean Pots to Contemporary Forms,             
               1607 to the Present.  Elaine Levin.  Henry N. Abrams Inc., New York, NY               

1987       American Ceramics-1876 to the Present.  Garth Clark. Abbeyville Press, New York, NY

                The Eloquent Object.  Marsha Manhart.  The Washington Press, Florham Park, NJ

1984       Neo-York. Phyllis Plous & Mary Looker. Univ. of Santa Barbara Press, Santa Barbara, CA




                Alta Bates Corp., Emeryville, CA

                American Craft Museum, New York, NY

                American Express Co., New York, NY

                Burston Marsteller Co., New York, NY

                California State University, Sacramento, CA   (2 pieces)

                Colorado University Museum, Boulder, CO (2 pieces)

                Crocker Art Museum, Sacramento, CA (3 pieces)

                Daum Museum, Sedalia, MO (2 pieces)

                Everson Museum of Art, Syracuse, NY

                Honolulu Acadamy of  Arts, Honolulu, HI     

                Mexican Museum, San Francisco, CA

                Mint Museum, Charlotte, NC

                Museum of Modern Ceramic Art, Gifu (Ceramic Park Mino) Japan

                Myers School of Art, University of Akron, Ohio

                Oakland  Museum, Oakland, CA  (2 pieces)

                Prudential Insurance Co., New York, NY

                Racine Art Museum, Racine, WI

                Rutgers University, New Brunswick, NJ (2 pieces)

                Smithsonian Archives of American Art, Washington, DC

                The Tainan National University of the Arts, Tainan, Taiwan  (2 pieces)

                Tempe Museum, Tempe, AZ

                University of California,  Davis, CA ( 2 pieces)

                University of California Health System

                University of Iowa Museum of Art, Iowa City, IA

                Yale University Art Gallery, New Haven, CT (2 pieces)

                Yingge Ceramics Museum, Taipei, Taiwan (2 pieces)




2004       Palm Desert Art Commission, CA, “Baja Palapa” with Donna Billick

1996       Taraval Police Station,  San Francisco, CA

1991       Sacramento Mental Health Facility, Sacramento, CA

1990       Metropolitan Transit Authority, New York, NY




1991-present        Full Professor, California College of the Arts, Oakland, CA formerly CCAC(tenured)

2014                      Instructor, Haystack School of Craft, Deer Isle, Maine

2013                      Instructor, Heaven On Earth, Todos Santos, Mexico

2012                      Instructor, Sierra Nevada College, Incline Village, Nevada

                              Instructor, Arrowmont School of Crafts, Gatlinburg Tennessee

2010                      Instructor, Idyllwild Art Center, Idyllwild, CA

                              Instructor, Peter’s Valley Craft Center, Layton, NJ

2010, 08, 06, 04,

99, 97                    Instructor, Penland School of Craft, Penland, NC

2009, 07, 05, 03    Instructor, Anderson Ranch, Snowmass, CO

2006, 04, 01          Instructor, Mendocino Art Center, Mendocino, CA

2001                      Instructor, Haystack, ME

2000                      Instructor, Santa Fe Clay, Santa Fe, NM

1991-1989             Instructor, San Francisco Art Institute, San Francisco, CA

1988                      Instructor, University of California, Berkeley, CA

1985                      Instructor, University of California, Davis, CA

                              Instructor, Rhode Island School of Design, Providence, RI

1984                      Instructor, The New School for Social Research, New York, NY

1984, 1981            Instructor, Artist-in-Residence, University of Georgia, Athens, GA

1983                      Artist in Residence, Louisiana State University, Baton Rouge, LA

1982                      Instructor, University of Georgia Studies Abroad Program, Cortona, Italy                           





2013                       University of Alaska,  Fairbanks

                                Marin County Fair, Marin, CA, (Juror)

                                Heritage University, Toppenish, WA.

2011                       West Michigan University, Kalamazoo, Michigan

                                New York Academy, New York, NY. 

                                Sonoma Community Center, Sonoma, CA.

                                San Jose State University, San Jose, CA.

                                NCECA Biennial, Tampa, Fla. (Juror)

                                Fort Hays State University, Hays, Kansas

2010                       Baltimore Clayworks,  “Body and Soul”, Baltimore, Maryland (Juror)

                                Marin County Fair, Marin, CA (Juror)

                                Delta College, Stockton, CA (Juror)*

                                University of Georgia, Athens, GA

                                Art Students League of Denver, CO

                                Arrowmont School of Arts and Crafts, The Figure in Clay Symposium, Gatlinburg, 2009                
                               Mudfire Clayworks & Gallery, Decatur, GA

                                Saddleback College, San Clemente, CA

                                University of California, Davis, CA

2008                       Richmond Art Center, Richmond, CA

                                The Firehouse Collective, The Firehouse Ceramics Symposium, Oakland, CA

                                Indiana University, Bloomington, IN

                                Mama’s Royal Cafe, (Juror), Oakland, CA

                                Sierra Nevada College, Incline Village, NV

2007                       Chabot College, Hayward, CA

                                La Grange College,  LaGrange, GA

                                University of Georgia, Athens, GA

                                Southern Illinois State University, Carbondale, IL

                                Davis High School, Davis, CA

2006                       College of Marin, CA

                                University of Southern California, Roski School of Fine Arts, Los Angeles, CA

                                Taipei County Yingko Ceramics Museum, Taipei, Taiwan

                                Tainan National University of the Arts, Tainan, Taiwan

                                University of Nebraska, Lincoln, NE

                                University of Hawaii, Oahu, HI

                                Virginia Commonwealth University, Richmond, VA

                                University of Tulsa, Tulsa, OK

2005                       CCACA Conference, Davis, CA

                                University of Florida, Gainesville, FL

2004                       University of Kansas, Lawrence, KS

2003                       San Jose State University, CA

                                Trax Gallery, Berkeley, CA

                                Arts Benicia, “Terra Forma” (Juror) Benicia, CA

                                University of St. Louis, St. Louis, MO                           

                                St. Louis Community College, St. Louis, MO

2002                       Richmond Art Center (Juror), Richmond, CA

                                University of Miami, Miami, FL

                                Clay Space on Puget Sound, Suquamish, WA

                                University of Northern Iowa, Cedar Falls, IA

2001                       Yuma Symposium 22, Yuma, AZ

                                Asheville Art Museum, Asheville, NC

2000                       Taking the Leap, Emeryville, CA

                                Society of Sculptors, Pittsburgh Center for the Arts, (Juror) Pittsburgh, PA

                                38th Annual Regional Juried Art Show, (Juror) Fairfield, CA

                                Georgia College and State University, Milledgeville, GA

                                Delta College, Stockton, CA

1999                       Portland Community College, Portland, OR

                                “Taking a Leap” professional practice program, Emeryville, CA

                                “Revolutions of the Wheel,” Host  to film debut, Oakland Museum, CA

                                NCECA, Juror for the Regional Student Exhibition, New Orleans, LA

                                NCECA, “Transmitting the Subconscious” panel discussion, New Orleans, LA

1998                       Winona State University, Bloomington, MThe School of the Art Institute of Chicago

                                53rd Marin County Fair, (Juror) Marin, CA

                                Scripps College, Claremont, CA

                                American Craft Museum Collector’s Circle, New York, NY

                                California State University, Hayward, CA

1997                       Boise State University, Boise, ID

                                University of Texas, Austin, TX

                                Southwest Texas State University, San Marcos, TX

                                California State University, Chico, CA

                                Northern Illinois State University, DeKalb, IL

                                Middlebury College, Middlebury, VT

1996                       University of Florida, Gainesville, FL

                                The School of the Art Institute of Chicago, graduate fellowship competition, (juror),                          Chicago, IL

                                The University of Northern Iowa, Cedar Falls, IA                                        

1995                       Cuesta College, San Luis Obispo, CA

                                NCECA National, Minneapolis, MN

                                Matrix Gallery, Fine Crafts at Matrix, Sacramento, CA

1992                       VPLAC Washington State University, Pullman, WA

                                Concordia Universite, Montreal, Quebec